2013年1月3日 星期四

W6



1.          Manner—the way you behavior

2.          Mannerism
Mannerism is a period of European art that emerged from the later years of the Italian High Renaissance around 1520. It lasted until about 1580 in Italy, when a more Baroque style began to replace it, but Northern Mannerism continued into the early 17th century throughout much of Europe.[1] Stylistically, Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals and restrained naturalism associated with artists such as Leonardo da Vinci, Raphael, and early Michelangelo. Mannerism is notable for its intellectual sophistication as well as its artificial (as opposed to naturalistic) qualities.

When first published in 1977, A Literature of Their Own quickly set the stage for the creative explosion of feminist literary studies that transformed the field in the 1980s. Launching a major new area for literary investigation, the book uncovered the long but neglected tradition of women writers in England. A classic of feminist criticism, its impact continues to be felt today.

This revised and expanded edition contains a new introductory chapter surveying the book's reception and a new postscript chapter celebrating the legacy of feminism and feminist criticism in the efflorescence of contemporary British fiction by women.

4.          The Madwoman in the Attic
The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination, published in 1979, examines Victorian literature from a feminist perspective. Authors Sandra Gilbert and Susan Gubar draw their title from Charlotte Brontë's Jane Eyre, in which Rochester's wife Bertha Mason is kept locked in the attic by her husband.

5.          The Raven by Edgar Allan Poe
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore —
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
"'Tis some visiter," I muttered, "tapping at my chamber door —
            Only this and nothing more."

6.          Bartleby, the Scrivener
"Bartleby, the Scrivener: A Story of Wall Street" is a short story by the American writer Herman Melville (1819–1891). It first appeared anonymously in two parts in the November and December 1853 editions of Putnam's Magazine, and was reprinted with minor textual alterations in his The Piazza Tales in 1856.

7.          Scrib: write
e.g.: transcribe, describe, prescribe

8.          Moby Dick: people vs. nature

9.          "Moby-Dick" begins with the line "Call me Ishmael."

10.      Ishmael
Ishmael introduces himself in the opening sentence of the novel with the well-known line "Call me Ishmael." The name Ishmael is Biblical in origin: in Genesis, Ishmael was the son of Abraham by the servant Hagar, who was cast off after the birth of Isaac, who inherits the covenant of the Lord instead of his older half-brother. In the Islamic tradition, with which Melville was certainly much less familiar, Ishmael is an heir of Abraham. In fact, according to stronger traditions in Islam mentioned in Qisas Al-Anbiya, she was daughter of king of Maghreb, whose father was killed by Pharaoh and she was taken as slave. In Moby-Dick Ishmael does not comment on the significance of his own name, but he does refer to himself by that name several times in the book.

11.      Mock-heroic
Mock-heroic, mock-epic or heroi-comic works are typically satires or parodies that mock common Classical stereotypes of heroes and heroic literature. Typically, mock-heroic works to insert the heroic work by either putting a fool in the role of the hero or by exaggerating the heroic qualities to such a point that they become absurd.

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